World Builder • Experience Architect • Story-First Strategist

I lead immersive brand worlds

From live experiences and physical activations to film, I build brand worlds around a single belief: joy is good for business.

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Where Strategy Becomes Experience

From NYFW runways and live brand activations to tech conference stages and executive experiences, these are immersive brand worlds designed to make complex ideas tangible and memorable.

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Character-Led Creative Platform

Carl — A Living Brand Platform at Dreamforce

Led creative direction across agency partnership and brand film, then extended the character into a live experiential platform at Dreamforce. Directed narrative strategy, performance, and on-site execution to humanize AI through real-time audience engagement.

Creative Direction Experiential Design Character-Led Storytelling
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Global Brand Commercial

Drag, Drop, Send — Global Brand Commercial

Led creative direction on a 30-second global brand commercial expanding Docusign beyond eSignature. Developed and guided a playful, story-driven concept through localization across regions, bringing product workflow to life through visual metaphor.

Commercial Production Visual Storytelling Global Localization
Interactive CX Framework

Emotional Stamps — CX Diagnostic

A research-backed customer experience diagnostic framework that makes complex service design tradeoffs tangible through interactive simulation. Taught at San Jose State University.

Interactive Experience Research-Based Design CX Strategy
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Live Brand Experience

Jane Wade Fashion Show at NYFW

Led creative direction and production of a live brand experience at NYFW — partnering with the designer and cross-functional teams on custom creative assets and a bespoke product demo. Delivered an 8× lift in impressions and brand awareness.

Creative Direction Brand Experience Cross-Functional Leadership

Building Worlds to Make Complex Ideas Tangible

One of the most satisfying creative challenges: turning complex products, platforms, and systems into worlds people can step inside and understand through experience.

Interactive Experience

Journey Through Dimensions

An interactive walk through spatial dimensions 1 through 10 — from a single line to the fabric of spacetime to the theoretical edges of reality. Each dimension is something you can see and manipulate. Forks between an imagination path and a physics path, with citations throughout.

Worldbuilding Interactive Storytelling Creative Direction

Insights from the Field

Exploring the hidden architecture of emotional design—from Disney's operational magic to the dice rolls of customer service.

The Hidden Architecture of Experience: What Disney Teaches Us About Operationalizing Brand

Great experiences don't happen by accident. This article unpacks how Disney operationalizes brand through systems, training, and backstage rigor — and what modern companies can learn about scaling emotional consistency.

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I Rolled Dice to Prove Great Customer Service Isn't Luck

Every customer interaction leaves an emotional stamp. This article introduces a practical framework for designing more 5s and 6s — and fewer 1s — across customer journeys, drawing from Disney, games, and real-world experience design.

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From Bids to Boardrooms: How Auctioneering Shaped My Leadership Style

Auctioneering taught me how to read a room, ask boldly, and leave ego out of the equation. This piece breaks down how live persuasion, clear CTAs, and audience psychology translate directly to creative leadership and executive decision-making.

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From Jungle Cruise to Boardrooms

I'm Kylee Kiesow — a creative strategist who sees patterns most people miss. I learned operational rigor from Disney, presence and persuasion from live auctioneering, and strategic storytelling from leading brand moments at scale.

What connects a Jungle Cruise skipper, a creative lead bringing Carl to life at Dreamforce, and an experience designer working across fashion, tech, and culture? An obsession with designing moments that leave emotional stamps — experiences people feel instead of just see.

I build worlds. Sometimes they're physical (fashion runways at NYFW, character activations at tech conferences). Sometimes they're strategic (flagship event experiences, brand narratives). Sometimes they're intellectual (frameworks like Emotional Stamps, future platforms like World Builders). But they're always designed with one goal: create moments people never forget.

Experiential Design Brand Strategy Creative Direction Live Performance Worldbuilding Storytelling

I was seven years old when I started making mochas for my family's guests.

I would froth the milk myself and carry each cup over with both hands, probably the last thing anyone expected from a child. What stayed with me was not their surprise, but their delight; the look on their faces when they received it.

We were both delighted, for different reasons.

And from that, I understood something that has stayed with me ever since: joy is better when everyone is having it at the same time.

Disney later gave language and structure to what I already knew.

As a child at Disneyland, joy felt like being understood and surrounded by possibility all at once. It felt like stepping into an environment designed to help everyone have a good day together. That joy was bigger than one person's entertainment experience. It was shared and multiplied.

Years later, when I worked at Walt Disney World as a Jungle Cruise Skipper, I saw what made that feeling possible.

Joy at scale is not an accident, but a choice.

It is built into training, environment, standards, language, and culture. Disney does not simply hire magical people. Disney creates the conditions for people to make magic. That distinction changed the way I think about leadership, brand, and customer experience.

I have spent my career bringing that philosophy into places where people do not always expect it: into a technology company many people think of as "just" an agreement tool; into executive briefing rooms where skeptical Fortune 500 leaders needed to feel understood; onto a runway at New York Fashion Week; and into conference stages, flagship events, and customer moments designed to leave something more lasting than information.

Some people talk about joy as if it sits outside the real work... as if revenue, efficiency, and ROI are serious, and joy is simply a nice extra.

I disagree.

The best memories people have are shaped by someone: a person, a place, a product, a team, a brand. Maybe it was a restaurant that made them feel special. A product that surprised them with its thoughtfulness. A leader whose presence changed the tone of the entire room. What people remember is not just what happened, but how it felt.

That emotional imprint is powerful. It is also commercially valuable.

Joy makes a brand feel bigger than a transaction. It turns an interaction into a memory, and a memory into affinity. That is what brings people back. That is what drives trust, loyalty, advocacy and recurring business.

I have seen it in the work.

A fashion activation that generated 16M+ earned media impressions and landed in Vogue. Events that consistently earned NPS scores above 9/10. A delight program that transformed ordinary touchpoints into moments people actually remembered. A sponsorship that returned 8x. A prospect saying "that was fun," while simultaneously understanding an AI platform that was once unfamiliar.

Joy performs.

I have also seen what the absence of joy costs.

Early in my career, I worked in an environment driven entirely by revenue, where efficiency came first and fear did the rest. Customers left feeling handled, not cared for. They were not excited about what they had bought. They carried the residue of the experience with them.

And every time they saw that company's logo, they relived it.

That is what a joyless brand buys itself: permanent residence in the wrong part of someone's memory.

It is the only job I have ever quit without a "backup plan".

So no, I do not see joy as soft. I do not see it as decoration. And I do not see it as the final polish once the "real" strategy is done.

Joy is the strategy.

The brands that endure are the ones that make people feel something real. Not manipulated. Not pressured. Not transacted. But seen.

They earn a place in people's best memories. They become part of how people tell the story of their lives, their work, and their choices.

That is the standard I build toward in every campaign, activation, customer story, and every room I walk into.

Because joy is not just good for business.

Joy is what makes a brand worth remembering.

Read on LinkedIn →

You found the hidden detour... care to take the scenic route?

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What Colleagues Say

Real feedback from teammates and cross-functional partners who've worked alongside me on high-stakes creative work.

"Kylee stands out as one of the most inspiring and strategic creative minds I've met. She's bold, thoughtful, and free of ego — and makes the impossible look easy, even under extreme time pressure."

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Danny Afflitto

Lead Digital Experience Designer, Docusign

"Kylee's ability to develop comprehensive strategies while juggling multiple high-impact initiatives sets projects up for success from day one. Her stakeholder management skills are outstanding, and she's someone people trust to deliver exceptional results."

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Jordan Aleck

Senior Copywriter, Docusign

"Kylee coordinated executives, sales, and technical teams to ensure discussions were cohesive and crisp instead of disjointed. Her communication is first-rate — timely, to the point, and she always follows through."

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Pasco Gasbarro

Senior Solution Architect and Engineer, Docusign